One of the most rewarding things about being custodians of this great Collection is seeing the surprising ways in which people engage with history to create new work. The Performing Arts Collection is a valuable resource for students, historians, writers, documentary makers, designers and other arts practitioners seeking to find out more about Australia’s rich performing arts history. Every once in a while someone comes along and re-imagines the Collection in ways we never thought possible.
Artists and avid theatre-goers, Gracia Haby and Louise Jennison visited the Research Service earlier this year and found a treasure trove of imagery ripe for digital re-interpretation. The result of their investigations can be found in two new zines, Cutting The Collection and Thumb Through which were recently launched at the Melbourne Art Book Fair at the National Gallery of Victoria. Gracia speaks eloquently about the thought process behind Cutting The Collection informed by ‘the ephemeral nature of dance; the thrill of a live performance and the trace it leaves; notions of recording what was, whilst not ever able to capture or document it fully; and the importance of such collections’. You can read more about the creative process and development here.
Not content with one remarkable publication, Gracia and Louise hit upon the idea of creating Thumb Through as both a flip book and as a moving collage which re-energises the static images in new and unexpected ways. Both publications evoke the brilliant, always ephemeral energy captured (but not quite) in the objects left behind after the curtain has come down.